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Studio Notes

Environmental fine artist based in Barberton

Working with oil, mixed media, oxidised copper, and found elements, the practice explores memory, physical decay, and the emotional resonance of raw materials in late afternoon studio light.

Material History

The Geology of Memory and Decay

Every surface carries an accumulated history. In the Barberton studio, traditional oil techniques merge with contemporary physical media, allowing rust, copper, and earth to participate directly in the composition.

The work is not finished when the paint dries—it is finished when it stops demanding new marks. By embracing raw textures and unintended patinas, the paintings invite viewers to look closer and feel the weight of physical time.

Key Indicators

Practice Elements

Oil & Copper

Primary Media

Barberton

Studio Region

Decay

Core Inquiry

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Institutional and private inquiries

Visits to the Barberton studio are arranged by personal correspondence.